![]() "Worm's Eye" and "Bird's Eye" are the extreme versions of each. Up Shot / Down Shot: Up Shots look up at a character, while Down Shots look down from above.Full, Medium, Close, Extreme Close: If you're showing a character, how much are you showing? Full (FS) shows the whole body, Medium (MS) shows waist up, Close (CU) shows shoulders and head, and Extreme Close Up (ECU) shoes only face.Establishing Shots: Quick shots that illustrate the set, location, or start position of the characters.Writing down camera angles helps camera crews quickly see what shots they must prepare for, and lets you see if you're getting accidentally repetitive with your shot choice. Don't simply rely on drawing to get your point across - the film world is full of vocabulary that makes your job easier and your storyboards more precise. Learn the terminology of common camera angles. In Willy Wonka, the famous intro where he "accidentally" trips, falls, and rolls to raucous applause was drawn up by him as a way to portray Wonka as fun, strange, and hiding behind a comic facade. Gene Wilder wasn't a storyboarder, but he thought like a visual comedian.X Expert Source Travis Pageīrand & Product Specialist Expert Interview. ![]() Find the most crucial element of the scene, and find a way to draw the audience's attention to it in each shot, making it bigger, centering it, zooming into it, etc.How can you draw attention to these things? Each scene, ask yourself what the goal of the scene is, what's the mood or tone, and what the most important props, characters, or moments are. It is your responsibility to take a good script and turn it into great visuals. Don't let the script "speak for itself " The best movies are thematically related on all levels: writing, storyboarding, sound effects, acting, etc. For example, the first button on the Quick Access Toolbar is "1," the second button is "2," etc.Find ways to express the script's themes visually. To launch the buttons on the Quick Access Toolbar via a keyboard shortcut, press the Alt key on your keyboard then press the number key that matches the button you want to launch. Just right-click the button for any Storyline feature, then select Add to Quick Access Toolbar. ![]() Resize the selected objected by one pixel (up/down arrows increase/decrease the object height right/left arrows increase/decrease the object width)Īdd a cue point to the timeline at the current playhead position while playing the slideĬreate your own keyboard shortcuts by adding features you use frequently to the Quick Access Toolbar. Move the selected object one pixel in the direction of the arrow ![]() Open the Format Shape/Format Picture window Publish the project as a Microsoft Word documentĬycle through Story View and Slide View tabs If resizing an object, it will be proportionally resized from opposite directions simultaneously. If moving an object, a copy of the object will be created in the new location. Move or resize an object with tighter control in one-pixel increments If resizing an object, size maintains aspect ratio. If moving an object, movement is constrained to straight lines. ![]() In Story View, F2 selects the slide or scene title after clicking its slide thumbnail or scene panel, respectively, so you can rename it. In Slide View, F2 selects all text within a shape after clicking its bounding box. Here’s a list of keyboard shortcuts to help you work even faster in Articulate Storyline 3: ![]()
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